Print Formats
Three substrates. The same photograph reads differently in each.
Glass
Acrylic face-mount
The photograph is printed, then sealed behind a sheet of acrylic so the image sits under a clear, glossy surface. Colour reads deep and saturated, and the print effectively floats off the wall.
Best for: Sleek, high-contrast pieces. Rooms with modern or minimal furnishing, where a reflective surface is wanted rather than a textured one. Most striking in larger sizes.
Metal
Dye-infused aluminium
The image is infused into a coated aluminium sheet rather than printed onto paper. Nothing sits on top of the surface to fade or peel, and it carries no glass to catch the light.
Best for: Vivid colour and sharp detail. Rooms where light control is difficult, or where glass would glare. The usual choice for a piece that has to hold a large wall.
Canvas
Gallery-wrapped
Printed onto canvas and wrapped around a solid wood frame, so it hangs ready with no outer frame and no glass. The weave gives the image a texture the flat formats do not have.
Best for: Warm, traditional presentation. Rooms that want softness rather than gloss, and spaces where a frame would look formal.
A fourth option — fine art paper in a professional frame, behind glass — is also available. Ask if you want it.